Javier Colomino
My work inhabits an intermediate territory.
It is not about adding architecture + sculpture, but
about speaking a language that emerges when both forget their limits. Since my beginnings in Rosario, Argentina, I have moved comfortably in that crossing. I did not force it, nor did I invent it to stand out.
It simply happened: modeling space and matter with
the same intention. Making every line, every cut, every void, meaningful. For me, sculpture is a three-dimensional language. A form of thought without words. Silent pieces that, if well conceived, can speak.
Matter, depending on how it is treated and respected, has its pulses, its whims, its memories. My craft is to listen to it and respond. Sometimes with marble or metal. Other times with wood, ice, light, or air.Sometimes with digital tools. Other times with the direct work of my hands.These pieces also find their place in the digital universe: not as replicas, but as
presences inhabiting other possible worlds.
This is how I work: without separating, without justifying, without labels.Seeking to create forms that speak, that unsettle, that endure.
I do not make decorative sculptures.
I do not make architecture for the photo.
I make pieces that stand the test of time because they have something to say.And hopefully, they say what words cannot reach

